Happy together 19971/27/2024 Through Yiu-fai we felt the human emotions just boil through of having to see a love that only hurt. Second, he focused the camera on only one of the characters (Yiu-fai) to enhance that sensation about Po-wing's indiscretions. So, not only was it uneasy to watch this relationship disintegrate in front of our eyes, but to be lost in a unfamiliar city only made it worse. First, he took these two vacationing men from Hong Kong and set them in a foreign city. Then, Wong did several things that just impressed me and kept my attention focused on the film. I didn't see the love between our two characters at all in the beginning, but that was because it was to show the destruction of their relationship. I was shocked, disturbed, and on-edge the entire time. If this very sexual opening doesn't set the tone for the rest of the film, I don't know what will. While I have been impressed with his other films like In the Mood for Love and his work on the BMW series, The Hire, this film literally blew me out of the water. This film would not have worked if it weren't for the apparent brilliance of director Kar Wai Wong. From the visual opening to the amazing use of several different cinematography techniques, Happy Together may not suit everyone, but to this film junkie it opened a new door in Hong Kong cinema. It is about love, but about the difficulties that surround a dying relationship. It is ironic that the title of the film is Happy Together, because it completely challenges the true themes. ![]() This was more than just a gay film, but instead a story about emotions and loves, coupled with all the turmoil that surrounds it. This movie had everything a cinephile would desire like strong characters, a non-linear story, and the brazen truth about modern society's relationships. If you found yourself shocked by the opening sequence or annoyed by the drastic image of the film, then you definitely are not a film junkie. Transforming your typical picture of a straight couple and violently handing us the relationship of Yiu-fai and Po-wing using untraditional cinematography is only scratching the surface of this picture. Just when you thought that you knew everything about Hong Kong cinema or about romantic adventures in film, director Kar Wai Wong steps forward and eliminates all boundaries.
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